Saturday, January 25th
Lilly Hiatt returned with Trinity Lane on August 25th, 2017. The 12-song set was produced by Michael Trent of Shovels & Rope and engineered by Andy Dixon at Trent’s Studio Bees in Johns Island, SC. It is the follow up to her acclaimed sophomore album Royal Blue, which Paste Magazine described as “a glorious tumble of influences – surf rock, Smiths vibes, Laurel Canyon twang and jangle, Sonic Youth flatline, Britpop flourishes, Seattle grunge and Joy Division meets Human League synthery.” In addition to her backing band, Trent is featured as a musician throughout, and is joined by his wife and Shovels & Rope partner Cary Ann Hearst for backing vocals on “Everything I Had.” Lilly’s love of the ‘90s alt-rock she was raised on continues to shine through on Trinity Lane in the distressed guitars and urgent backbeats. She cites the Pixies, Breeders, Dinosaur Jr., and her favorite, Pearl Jam as influences, but there is also something distinctly Americana lurking in the songs. Rolling Stone Country premiered the Michael Carter-directed video for the album’s title track HERE, stating, “The daughter of John Hiatt, she keeps the family tradition alive, mixing Southern influences – Americana, folk and left-of-center country – with a raw approach that’s better suited to the garage than the saloon. The album’s title track is no exception…the song finds Hiatt making peace with her old demons, while guitars crash and pianos chime in the background.” They continued, “‘Trinity Lane’ is an empowerment anthem stocked with details from Hiatt’s everyday life, from the name of her street to the smell of her neighbor’s cooking.”
After moving out of an ex’s house, Hiatt settled into a new apartment off of Trinity Lane in her East Nashville neighborhood and went on tour with friend John Moreland to the West Coast and back. The intensely personal, autobiographical album was written largely upon her return, in isolation, facing the issues she escaped while on the road. Every time she wanted a man, she picked up her guitar. Every time she wanted a drink, she picked up her guitar. Hiatt says, “Love will take you to the darkest places but also the most honest places if you let it. Learning how to love myself is something I’ve always been lousy with, and I spent some time on that. I thought about my sobriety, what that means to me, the struggles I’d had throughout the years, since I was a 27-year-old and hung up my toxic drinking habit. I thought about my mother, who took her own life when I was a baby, not far from my age at 30 years old, and I related to her more than ever. As you can see, there was plenty of time spent on my own. I didn’t talk to that many folks, albeit a few close friends, and leaned into my family. I stayed away from men, and danced alone in the evenings, looking out my window observing my humble and lively neighborhood. I found power in being by myself. I found peace in the people I was surrounded with – we didn’t really know one another, but we smiled when passed on the street. One time I almost rear-ended an older woman in her car backing out of my driveway and I said, ‘Oh man, I’m just not used to any cars coming around this bend. She replied, ‘This is our little hideout, baby,’ And it really was.” She continues, “After a while, I had all these songs to play, and wanted to share them. I wanted to get out of town to get some distance from everything, so after an ongoing conversation with Michael Trent, I took my band to Johns Island, SC and we holed up for a few weeks. I poured my heart out, and trusted them with it, and these guys gave it right back. I think we all understood what it’s like to question home, intention, demons, love…I think most people understand that.”
Special Guest Momma Molasses
"Sweeter than honey, Momma Molasses sings like a quilt comforts."
- Tom Netherland, Bristol Hearold Courier
"Superbly haunting, a poignant anthems to loneliness, heartbreak, hope and the wistful intracacies of life's twists."
- David Namerow
Currently based in Bristol, VA. , and originally from the Pines of North Carolina, (just south of the Piedmont in Carthage, NC) Momma Molasses' music is soul stirringly resonate, and smothered in good old fashioned folk sentiment; blending Americana, Old-Time, Alt-Country, Piedmont Blues, Swing, Appalachian, and Bluegrass music into a uniquely timeless sound. Harnessing her rolling contralto voice which scales over homespun finger-picked guitar, her sound is warm, rich, and passionate, with songs that embrace, and captivate listeners.
Momma Molasses is the musical project of singer-songwriter Ellen "Ella" Patrick. Growing up with a deep love of music, Patrick began playing stringed instruments at an early age while singing gospel music in church, and learning folk songs from her parents dusty late 60’s record collection, and old ballads from her poet uncle. She spent most of her childhood summers in a Swamp just south of her home in Moore County, where she began playing songs for friends around the campfire, or sneaking out in canoes after dark to sing by herself to the moon.
While in college at Warren Wilson, just outside of Asheville, NC Patrick became greatly influenced by Appalachian folk music, and studied Old-time, and Bluegrass music. Momma Molasses has toured extensively in the South East playing around 200 shows in the past year, and continues to gain momentum as a new voice in roots music. Currently Momma Molasses tours full-time while pursuing her passion for roots music through writing, researching, and curating a weekly radio program ,"Folk Yeah", which broadcasts live from The Birthplace of Country Music Museum in Bristol, VA. on WBCM Radio Bristol.